WARWICK STOCKS
WARWICK STOCKS

PAINTER SCULPTOR PERFORMANCE ARTIST

PHOTOGRAPHY DRAWING CERAMICS INSTALLATION ART
MIXED MEDIA CONCEPTUAL ART PRINTMAKING

F
ABRIC DESIGN ART DIRECTION ART COLLECTOR
RESTORATIONIST PHILANTROPIST STATESMAN

Recognised Australian Artist, born in Sydney, who has lived and worked in Byron Bay, New South Wales, for the past 20 years. 

Internationally and nationally collected for his series of paintings, sculptures and drawings on Sydney Harbour, Palm Beach, Bali, Outback Australia, Black Boys (Grass Trees), the Environment, Pierced Bodies, Byron Bay and other worldly concerns.

'The Great Escape'

October 2003 - Warwick with his new family Stephanie, young daughter Emma and son Tremayne set off on a round Australia 'Special Sights' arts adventure and Hot Spot Holiday

2008
Now working in Sydney after a 20 year sea change in Byron BayArtist Warwick stocks known by you through his atmospheric painting and sculpture decor of Chris Carlton's offices in Sydney

NEXT SHOW
SEVEN WINDOWS

July 2008. Viewing all month

Old Mark Foys
143 - 147 Liverpool St
The Downing Center, Sydney

New work with the artists collection first release and not seen before world first.

A jasper carved stone installation
"The Stones of Byron Bay"

Chris Charltons
Level 1, 285 George Street, Sydney
02 92992959
open Monday to Friday

Contact
Phone:
02 9665 1086 - Studio
int +61 2 9665 1086
Mob: 0411 210874

 

 

 

For all those who wish to view a selection of my work welcome to my website and Virtual Gallery, I call my work "Pacific Basin Art" due to our geographic position on planet Earth. Other fine artists' work also qualify for this art movement.

StudioPersonal details and an extensive summary about my works, performances, installations, and exhibitions with public recognition is well documented through various Commissioned works, Grants, and Prizes and I have received considerable attention in the Australian media.

 

Welcome to my gallery!

 

 

Reference: WHO'S WHO
of Australian Visual Artists
Second Edition Page 301
Published by THORPE in association with the National Association for the Visual Arts

Australia


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